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Technology
While Sound Rage is a boutique studio, we can deliver the same punch as a big dub stage. The
Sound Design and Re-Recording dub stage was tuned to translate to large theaters. Marcus
Blanchard performs routine maintenance to insure the room translates correctly. Marcus has tested
and listened to mixes he has done in the Sound Rage mix room at the ArcLight Cinemas, AMC,
Grauman’s Mann Chinese 6, Hollywood Directors Guild, Various Studio Lot screening rooms, and is
proud of the results.   

Sound Rage is fully capable of handling any of your audio needs. From 5.1 to 7.1 surround sound,
to a pitch corrected PAL conversion, or Dolby E or PL1 or PL2 LtRt Layback, we can do it all.

Because of new technology and the ever changing economy, filmmakers are being more frugal with
budgets, but don’t want to compromise the quality of the project. This is where Sound Rage really
shines. We can dance on the fine-line of budget and quality, mapping out a financial plan that won’t
break the bank, while allowing us to do the work needed to deliver your soundtrack with all the
shock and awe it deserves.